|
|
|
|
|
|
Francisco Goya
Young Woman Asleep
mk214
c.1792
Oil on canvas
59x145cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Marquesa de Santa Cruz
mk214
1805
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Cupid and Psyche
mk214
c.1800-5
Oil on ca nvas
221x155cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Ignacio Garcini
mk214
1804
Oil on canvas
104.1x83.2cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Josefa Castilla Portugal de Garcini y Wanabrok
mk214
1804
Oil on canvas
104.1x82.2cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Bartolome Sureda y Miserol
mk214
c.1803-4
Oil on canvas
119.7x79.4cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Therese Louise de Sureda
mk214
c.1803-4
Oil on canvas
119.7x79.4cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Juan de Villanueva
mk214
c.1800-5
Oil on canvas
90x67cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Isabel de Porcel
mk214
1804-5
Oil on canvas
82x54cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
El Maragato Points a gun
mk214
c.1806-7
Oil on panel
29.2x38.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Allegory of Madrid
mk214
1810
Oil on canvas
260x195cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Caridad
mk214
1810
16.1x23.6cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Esto es peor
mk214
c.1812-13
15.7x20.7cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Lo peor es pedir
mk214
c.1812-13
15.5x20.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Madre infeliz
mk214
c.1812-13
15.5x20.5cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Que se rompe la cuerda
mk214
c.1815
17.5x22cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
No saben el camino
mk214
c.1815-17
17.5x22cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Esto es lo peor
mk214
c.1815
18x22cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Gatesca pantomima
mk214
c.1815
17.5x22cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Prison interior
mk214.c.1810-14
oil on timplate
42.9x31.7cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Francisco Goya
|
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
|
